Praised for how “his sprawling movement pieces fold history into the present” (The New York Times), award-winning choreographer Reggie Wilson imagines what Black Shaker worship might have looked like in the world premiere of POWER. This Brooklyn-based company and its body of work draws from the spiritual and mundane traditions of Africa and its Diaspora; Wilson often refers to his work as a “post-Africa/Neo-HooDoo Modern dance.”